[FM] review of Kasey Chambers CD "The Captain"

celtic-folk@surfnetusa.com celtic-folk@surfnetusa.com
Sat, 09 Dec 2000 11:45:34 -0800


Below is my review of Kasey Chamber's CD "The Captain".

To see the review nicely formatted in your web browser, please view
the version on my web site at:

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                            A Review of the CD
                               "The Captain"
                             by Kasey Chambers
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"The Captain"
by Kasey Chambers

copyright 1999
Asylum/Warner Brothers - 9 47823-2
Warner Brothers Records, Inc.
3300 Warner Boulevard
Burbank, CA 91505
http://www.kaseychambers.com

This review is written by Kevin McCarthy, 12/00
mailto:celtic-folk@surfnetusa.com
"Kevin's Celtic & Folk Music CD Reviews"
http://www.surfnetusa.com/celtic-folk/index.html

Raised in the Australian Outback since the age of three weeks, her family
fended for themselves by shooting game. No, thankfully this isn't some
variation of a Crocodile Dundee sequel.  Luckily for us, this is
24-year-old Kasey Chambers, so refreshing a talent that there will soon be
a new world order in the progressive country/Americana music scene--this
young woman is moving up fast and deservedly so.

With a very unique voice, a la Iris Dement, the emotive Chambers swings
from demure to playful to inflective throughout this release. At times
quavering, at times powerful, at times precise, her vocals span the
spectrum--pure country on one cut, then a shift to the rock vein, followed
by  pop and folk presentations. Not to be overlooked is the fact that she
also penned all the cuts here--yet another display of the span of her
talents.

Opening with "Cry Like A Baby," she zeroes in on the feelings, reactions
and behavior of many young people today:

     "Well, I never lived through the Great Depression
     sometimes I feel as though I did
     And I don't have all the answers for every single question
     but that's okay 'cos I'm just a kid...

     But I still cry like a baby
     And I answer back to feel a little free
     And I still fly even though I'm gonna fall
     But I'm too far gone to let it get to me..."

The cut probably getting the most airplay is "The Captain," because its
sound branches the spectrum of country, folk and pop. "This Flower" is the
sweetest song, a paean of indebtedness. With its electric guitar backing,
"You Got The Car" combines a rock sound with more country like lyrics:

     "The last time I held you
     You held the cards and I was
     asking for anything you had
     You saw it coming but you
     didn't tell me and next
     thing everything turned bad

     You got the car and I got the break
     I've had as much as I can take
     And my heart can't handle anymore
     And all the kings horses and all the king's men couldn't
     put me back together again
     So I laid in broken pieces on the floor
     So don't come back for more..."

"Don't Talk Back" is reminiscent of the best of Bruce Springsteen's car
songs--the need to drive, movement as a form of escape to keep the dragons
at bay.  "Southern Kind Of Life" subtly contrasts the lifestyle differences
between the north and south of Australia.

Slide guitar backed on most of the "Last Hard Bible," she opens and closes
a cappella with this verse:

     "I sold my last hard Bible
     Just to pay my bills
     I called my mother
     To reserve me in her will..."

The gist of the cut goes:

     "I spent my cash
     On a brand new heartache
     I spent my time
     Trying to make it back
     he took my heart
     And he took my savings
     He took the train
     And left me on the tracks..."

Finishing with "We're All Gonna Die Someday," a wry cut in the Fred J.
Eaglesmith vein, she sings:

     "We're all gonna die some day lord
     We're all gonna die someday
     Mama's on pills daddy's over the hill
     But we're all gonna die someday

     Well it hurts here on earth lord
     It hurts down here on earth
     It hurts down here 'cos we're running out of beer
     But we're all gonna die someday..."

Chambers is a veritable wunderkind, preternaturally able to produce and
present material in a manner well beyond her years. Someone like her makes
it so thankfully easy to rediscover the absolute joy in stumbling across
wondrous artistry.

Chambers on leads vocals is backed by B.J. Barker on drums; Jeff McCormack
on bass and acoustic guitar; Bill Chambers (Kasey's father) on electric
guitar, dobro, lap steel and vocal harmony; Nash Chambers (Kasey's brother)
on acoustic guitar, bass and vocal harmony; Mark Punch on electric guitar;
Julie Miller on vocal harmony; Rod McCormack on acoustic and electric
guitar, Hammond and vocal harmony; Kevin Bennett on lead and acoustic
guitar; Mick Albeck on fiddle; Buddy Miller on lead guitar and vocal
harmony.

Track List:

   * Cry Like A Baby (3:58)
   * The Captain (4:31)
   * This Flower (2:47)
   * You Got The Car (4:03)
   * These Pines (3:59)
   * Don't Talk Back (4:45)
   * Southern Kind Of Life (3:59)
   * Mr. Baylis (3:41)
   * The Hard Way (2:52)
   * Last Hard Bible (2:20)
   * Don't Go (2:58) Kasey Chambers/Worm Worchon
   * We're All Gonna Die Someday (2:08) Kasey Chambers/Worm Worchon/Bill
     Chambers/Paul Henning

All songs written by Kasey Chambers, except as noted.

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Kevin McCarthy. Ownership, copyright and title are not transferable or
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Send inquiries to: celtic-folk@surfnetusa.com.



================================================
Kevin McCarthy
mailto:celtic-folk@surfnetusa.com
Celtic & Folk Music CD Reviews
http://www.surfnetusa.com/celtic-folk/index.html